
Meet the IPA Members




Courtney Eppel
Courtney Eppel is a functional potter based in Cazenovia and Syracuse, NY. She works in both cone 6 porcelain (electric fired) and cone 10 stoneware (wood fired), with surface decoration being her primary focus. Courtney's motifs are nature-inspired, and often employ a combination of decorative techniques to create tactile and visual interest.
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Jen Gandee
The images derive from my original photographs, which I manipulate in photoshop and illustrator and print onto special decal paper using my laser printer. The toner from the printer has enough iron oxide in it so that when I apply these decals to my work and re-fire them, the iron permanently melts into the glaze. All of the work is food, microwave, and dishwasher safe.




Liz Goldenberg
Fun, adventure, curiosity and a willingness to try new things are the foundational structure of my work. When I can stay curious and open, amazing things unfold. It took about 55 years for me to find my passion. And once I found clay, I knew I had arrived.




Dia Haffar
Dia is a full time potter, working with her mom in their shared studio in Lafayette NY. Function and fun is important to her work and each piece is influenced by a love of nature. Before pottering Dia traveled widely as a peace corps volunteer and English teacher.




Ellen Haffar
Having spent most of my adult life as a painter and a high school Art Teacher I am so happy to Work with my daughter Dia as a full time potter. Working together as Smokepail Studios, you can find us in local shops and on the road at Art markets and festivals throughout the northeast.




Mary Halsey-Claps
Through hand-building with clay, I connect with the earth, shaping forms that come alive with a sense of whimsy. Creating these objects brings me joy, which i hope to share with others.




Sarah Hatch
I am a potter making functional, wheel-thrown work. In recent years I have explored a variety of firing and decorative processes, leading to two distinct but related bodies of work. Many of my pieces are either wood-fired or highly decorated (often floral) cone 6 porcelain.




Josh Hawley
My work centers on functional ceramics, where effective form and thoughtful surface detail support both use and presence. Drawn to clay and glaze as earth-derived materials, I'm continually inspired by the material's seemingly boundless capacity for exploration, blending art, design, physics, and material science. I create functional, sculptural pieces meant for everyday use that offer moments of curiosity and quiet contemplation through carved line work and expressive glaze application.


Tami Haynes
More about Tami's work will be available at a later date.




Lowell Hutcheson
Lowell Hutcheson is a ceramic artist, educator and arts administrator whose work reflects a deep connection to nature, commitment to sustainability, and the quiet power of handmade objects. Through the use of slip and texture, she explores the intersection of tradition and experimentation, drawing on natural materials and techniques to create work that feels contemporary and timeless. Every aspect of her practice—from the raw materials she uses to the way she lives—is shaped by a conscious effort to reduce her carbon footprint and reconnect with the natural world.




Sara Koblentz
Currently my work in clay is mostly with cone 6 porcelain fired in an electric kiln although I sometimes have access to the color warmth of a high fired wood kiln. My recent work is carved, sprigged, and most recently includes a modified Mishima technique with underglazes. My images of ginkgo leaves are meant to symbolize longevity and the very long life of my amazing mother.




Tom Krahe
I got hooked on pottery in collage and have never stopped loving the process.




Christine Salerno McLaughlin
I have been interested in Artistic expression from an early age and currently find myself drawn to the combination of Ceramic surface design and whimsical, colorful expression. The freedom of exploring a wide range of surface drawing, painting, and addition of textural changes through slip trailing, water etching and sgraffito, provides me with an endless assortment of possibilities and new and ever evolving and challenging planes. I am motivated by creating surfaces that provide a whimsical, light hearted and enjoyable lift away from the chaos of everyday life.




Mary Ellen McQuaid
My goal is to explore the addictive application of layered, twisted pigmented stain or underglaze when color becomes part of clay's inner space. My delight and motivation is to see the three-dimensional behavior of opacity vs. transparency. In transparent porcelain, the clay behaves like suspended light and opaque clay will emphasize movement perhaps "frozen in motion"




Olivia Melinski
I first started working with clay when doing a local "sip and turn" with a few friends on a whim in 2019. I loved it so much that I have continued on, creating my work for all to see and love. I like to describe my work as putting the "fun" in "functional". In my work there are a lot of nature elements, agateware work that makes the clay interact to have intricate designs and some simple work to give contrast to the agateware.




Tina Parker
For my work, I enjoy throwing on the wheel as a springboard to creating forms. My hand built pieces can range from functional to simply decorative. Most are fired to cone 6 in an electric kiln, although I occasionally work in a community setting to experiment with salt firing.




Margery Rose
I’ve always loved making useful objects that people can integrate into their daily lives. My work as a ceramic craftsperson has been influenced by my previous career as a jeweler. Creating hand-dyed and inlaid jewelry probably drew me to the unusual colors of agate-ware pottery. I bring a jeweler’s sensibility to finishing ceramic surfaces and creating small-patterned designs. Moving to ceramics provided the hands-on contact which was never present when making jewelry, where tools always come between the maker and the material.




Tim See
My work has been in a continuous process of evolution and exploration. Beginning in 2009 I pursued a line of work inspired by early 20th century industrialization held together in my imagination by a storyline of a resourceful man trapped in a collapsed factory who creates what he needs from metal scraps.
In 2013 my imagination took off to a future timeframe in an industrial setting populated by robots, or, as I call them, Bucketheads. These steam-powered Bucketheads were designed to maintain themselves after humans became extinct. The Bucketheads are artifacts of human civilization, and, as such, reflect their creators and their culture.




Doug Selover
I've been working with clay for 8 years both wheel and hand building. I also like to incorporate natural materials such as wood and bone for handles and decorative touches.




Karen Jean Smith
My concern for the environment as well as appreciation for the beauty of nature are the primary themes in my work. Most of my functional work is wood/forest themed, while my sculptural work is often whimsical.




Nina Spano
I strive to create forms that have a sense of elegance and function for everyday use. I design and apply the surface decoration to work with the form and compliment the function of the piece. It brings me joy to imagine family, friends, or customers, making memories at meals or throughout their home with my pottery present and contributing to the beauty of those memories.




Millie St. John-Schmidt
I love clay because it allows me to speak with many voices. I use terra cotta for garden lanterns and planters and stoneware for everyday mugs and bowls. Porcelain is wonderful to carve. I make dragons for woodfire because of the fire and I enjoy raku because it is fast and unpredictable.




Peter Valenti
My current work centers on wheel thrown forms that gravitate toward functional as well as sculptural in nature rooted in classical and modern forms. Across all of my work I intend to create touch and achieve connection to the viewer in their everyday lives.




Catherine Walsh
Catherine has been working in clay since 2009. She has worked as an art educator in schools, museums, and art studios. She is new to Syracuse and currently works at the Everson Museum.




Michele Walters
Over the past 20 years, I have slowly grown as a potter, creating both thrown and hand built functional and purely decorative pieces. Using different types of cone 6 stoneware clay, fired in an electric kiln, achieving a variety of effects along with use of carving, personal stamps, rollers and or sodium silicate to create depth, dimension and patterns in the work. The pieces are completed by using a combination of mineral washes, under-glazes, matte and glossy food safe glazes.